Weekly Roundup is an update on what’s going on in my world. Welcome!
Curse. Swear. Expletive. Oath. Profanity. Cuss. Invective. Malediction.
Virtually everyone does it; from presidents to the smart-mouthed kid next door. Swear words may be pithy or profane, mild or malevolent, productive or pointless. Even mild euphemisms such as darn, shoot, and heck are simply substitutes for the “real” thing, and everyone knows exactly what you mean (sorry Grandma).
It follows, then, that fictional characters will also run a blue streak from time to time, and most readers would find it strange if they didn’t. Swear words are verbal emotions; cathartic for the speaker, able to evoke a visceral response in the hearer. It’s a non-physical way to let people know how you really feel and a powerful part of our interaction with others.
I grew up in a household where the strongest language included hells bells, ship ahoy, and crapola. Why? My parents were determined to raise respectful, educated children and they believed excessive swearing was a sign of moral failure and below average intelligence. Consequently, the cuss words I generally use are mild and infrequent and this spills over to the characters of my books.
I find strong language offensive (especially the F-word), and have no interest in creating foul-mouthed characters, even if it makes them more realistic. I believe I can convey the proper meaning and attitude with minimal obscenities, and my readers seem to agree.
I can’t tell you how many times I have stopped reading due to excessive use of profanity, even though the story up to that point was quite good. You might be surprised how much I put up with, but if the writer can’t tell the story without gratuitous curses every other sentence I will look elsewhere for my entertainment. Your standards and mine may differ, and that’s OK – just don’t expect to find F-bombs scattered through the pages of my books!
Here’s a few quotes I like:
“Grant me some wild expressions, Heavens, or I shall burst.” George Farquhar
“The foolish and wicked practice of profane cursing and swearing is a vice so mean and low that every person of sense and character detests and despises it.” George Washington
“I think the reason that swearing is both so offensive and so attractive is that it is a way to push people’s emotional buttons, and especially their negative emotional buttons.” Steven Pinker
“There ought to be a room in every house to swear in. It’s dangerous to have to repress an emotion like that.” Mark Twain
“I’ve never found an interesting person with a foul mouth.” Marilyn vos Savant
“Swearing was invented as a compromise between running away and fighting.” Finley Peter Dunne
“Writing for adults often means just increasing the swearing – but find an alternative to swearing and you’ve probably got a better line.” Steven Moffat
“Profane swearing never did any man any good. No man in the richer or wiser or happier for it.” Robert Lowth
You may find these resources interesting:
Why Do We Swear? by John M. Grohol, Psy.D.
What’s Wrong with Swearing? from the Cuss Control Academy
Traitor’s Moon update. Another Gladstone pack member finds their mate! Word count is now 40,000+. I finished chapter five on Sunday and will complete the editing today. I prefer to clean up each chapter as I go so the task isn’t so daunting at the end. If I don’t, the errors I KNOW are lurking in the text become so distracting I can’t concentrate on new material! I have read advice from established authors who do all the writing, followed by all the editing, but that method doesn’t work for me.
One step forward, two steps back. As an Indy author, I don’t have access to professional help to improve my writing skills. I’ve learned so much since I published my first five books almost a year ago, with advice coming from beta readers, reviews, various articles and blog posts, and a daughter-in-law with an English major (thanks J.)
When I become aware of an issue, I have to not only incorporate it into my current manuscript, but I also correct the others which came before it. This takes time and headache-inducing editing!
Recently, I’ve been working on three areas of concern:
- 3rd person POV – apparently I missed the memo about Third Person Omniscient being decades out of fashion and should therefore be using Third Person Limited. What? Not going to happen! Well, not the way it was described in the article I read. I’m not prepared to ditch the Omniscient view entirely, as I find it quite useful, and will most likely continue the combination of Omniscient/Limited I have been using. What I am going to do is limit the view to a single person or group of people in any given scene/paragraph to reduce head-hopping.
- Quotation marks – “When dealing with quotations that extend over more than one paragraph, you need to put quotation marks at the beginning of each paragraph but at the end only of the final one.” Great! What wonderful advice! Do you know how long it’s going to take me to fix this? Now would be a good time for an expletive….
- Several reviewers have commented that they feel they are being told the story rather than living it, but none have gone on to explain exactly what they meant. After consulting with someone who has read all of my books (thanks T.), the suggestion was to include more specific descriptors. Nothing extensive, but by adding occasional colors, textures, sounds, smells etc. to the text, the reader will be able to experience the story in a way which echos real life. This is not a bad suggestion, but will take time to correct retroactively, and force me to change the way I write going forward.
Well, that’s more than enough from me today. Time to get some $!#*&@ writing done!